There has n’t been a woman writing for Doctor Who in several age — and you may make a firm argument the BBC ’s famous time - change of location show has suffered as a result . Over at the Guardian , there ’s a pretty compelling clause about the lack of women writing for Who , and why this matters .
The last time a cleaning woman compose for Doctor Who , it was Helen Raynor in 2008 . Last year , producer Caroline Skinner said she wanted to get more cleaning woman writing for the show — but she leave without make that happen . The Guardian asks producer Marcus Wilsonabout the situation , and he answer : “ Due to agenda and other projects , both manful and female writer whom we have wanted to connect the team only have n’t been able to . For us it ’s about who can write estimable doc Who floor , disregardless of gender . ”
So why does this matter ? I ’m quoted in the Guardian clause as pointing out that fairly more women are writing for SF and fantasy television set in the United States , and this diversity of viewpoints has coincided with an improvement in the writing — not just of female characters , but of all case . I think of The Middleman , which started its animation as a laughable book by Javier Grillo - Marxuach and then became a TV show with three womanhood writers . Grillo - Marxuach has talked before about how the characters he make in his head became more complicated and fully realise as a result of the conversations he had in the writers ’ way .

By coincidence , I was just on a conference call where Doctor Who producer Steven Moffat was talking to reporters — and Moffat tattle rather a lot about the notion that the Doctor ’s travel companion ( who ’s usually distaff ) is the focal point of the show from a storytelling linear perspective . She ’s the one the stories really happen to , she ’s the one who changes — even if the Doctor is the one who saves the day and all that . At the same time , I ask Moffat why the Doctor does n’t just listen to the host of people who keep telling him he should n’t travel alone , and rather struggles against taking on another companion . Moffat responded that the Doctor does n’t want to put anyone in harm ’s way , and also that he ’s headstrong and believes he ’s always good . Just like a man , in other words , Moffat added .
So in Moffat ’s own view , the Doctor is an archetypally male type — but the show rests on an ever - changing series of distaff characters , who in reality conduct the volume of the emotion and character development . you may see why it might be advantageous to have some distaff writers in the mix , veracious ? Not that men ca n’t write female type astonishingly well — intelligibly they can , and you only have to say , say , Samuel Richardson ’s Clarissa to see a great example of a Isle of Man capturing a female voice . But sustain different perspectives in the mix ca n’t hurt .
Even though Doctor Who does n’t have an American - style “ writers room , ” you’re able to still envisage how the generally one - dimensional Amy Pond could have spring up a bit more if writers beyond the minuscule group of men had harness her . ( As it is , you may see hints of greater deepness and complexity in “ The Girl Who Waited ” and one or two other level . ) And meanwhile , I’vedescribed River Song as the central nonstarter of Moffat ’s Doctor Who , and I fend by that .

https://gizmodo.com/does-steven-moffat-have-a-master-plan-for-doctor-who-5938410
One of the frustrative thing about Doctor Who in the Matt Smith era has been the elbow room the ill at ease fusion of “ boy ’s own adventure ” and “ relationship situation comedy ” image has often pass on the characters , specially Amy , experience like cogs in the machine .
Doctor Who is , at its basis , an escapist piece of amusement . But the eccentric who escapes the most , and the most meaningfully , is generally a woman . So yeah , it does n’t seem entirely unreasonable to wish for more cleaning lady writers , rather than a belittled group of men , to be crafting that safety valve program . [ The Guardian ]

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